The second volume in the Curvy Diva series: full-figured reference for artists who want to draw mass honestly. Where the body gathers, how it spreads against a surface, and how weight moves through a fuller frame rather than an idealised one.
Most figure-drawing libraries are built on a narrow range of bodies, and it shows in the work that comes out of them. Artists who have only ever drawn lean models tend to draw every body as a lean one with parts added, which reads as false immediately. Curvy Diva2 continues a series aimed squarely at that gap. What's in this pack
Full-figured reference, posed rather than caught mid-motion. The word diva in the title points at attitude: these are held, deliberate postures with presence, closer to portrait staging than to candid gesture. That makes the pack useful for sustained study — you are looking at forms that stay put long enough to be measured, compared and constructed properly. What you'll practice
Mass and its consequences. Soft tissue answers to gravity. On a fuller figure that answer is louder and more informative: forms hang, gather and settle depending on whether the model is standing, seated or leaning, and none of it can be guessed convincingly from imagination.
Compression and contact. Wherever the body meets a surface — a chair, the floor, its own opposite arm — flesh spreads and flattens against it. Contact points are where beginners give themselves away, and reference is the only reliable way to learn what they actually look like.
Overlap and the tuck. Fuller forms overlap each other, and the drawing problem becomes deciding which form sits in front and where the far one disappears beneath it. Getting those overlaps right is what turns an outline into something with depth.
Photo references reference pack on Refimages. Buy once, unlock forever — personal & commercial license included.