500+ lying and reclining poses — the hardest figure reference to find and the fastest way to learn foreshortening. Once the figure goes horizontal, eyeball measuring stops working and you have to draw what is actually in front of you.
Ask any figure artist where their drawing falls apart and a surprising number will say the same thing: the moment the model lies down. Standing reference is everywhere. Reclining reference is genuinely scarce, and it is the reference that breaks the habits standing poses let you keep. This is a specialist library for that one problem — 500+ lying poses, nothing else. Why lying poses are hard
Vertical figures let you cheat. You can measure in head units, drop a plumb line, and check a proportion against a rule you memorised years ago. Lay the same body down and every one of those tools stops working at once: The length of the figure runs away from you instead of across the page, so proportion has to be judged by comparison rather than recalled from a canon. Seen from the head or the feet, a whole body can occupy less vertical space than the skull does. Your brain refuses to believe it and quietly lengthens the drawing. Outline stops carrying depth. Overlap does the work instead — a thigh crossing in front of a torso, a shoulder occluding a jaw. Contact changes the silhouette. Soft tissue flattens and spreads wherever the body meets the surface, and the edge you draw there is not the edge of the muscle. Camera height matters enormously. The same pose from floor level and from above are two different drawings. What you'll practice
Foreshortening, measured honestly. Hold the pencil up, compare the compressed thigh against the shin, and put down the length you actually see rather than the one you know is correct. There is no faster cure for a habit of drawing what you know.
Reference Pack reference pack on Refimages. Buy once, unlock forever — personal & commercial license included.