Volume B of the Feminine Forms standing series: 1100 standing poses of the female figure. Standing is where proportion errors surface first, which is exactly why it is the most useful thing an artist can draw over and over again.
Standing is the pose everyone skips past on the way to something more exciting, and it is the one that exposes every weakness in a drawing. There is no dramatic angle to hide behind and no motion blur to excuse a bad measurement. Either the figure is balanced over its own feet or it is not. This is the B volume of the seller's Feminine Forms standing series, and it holds 1100 standing poses to work from. What's in this pack
1100 standing poses of the female figure. One theme, carried at volume — which is the point. A themed library this deep lets you draw the same problem several hundred times without repeating yourself, and repetition against variation is how a skill actually moves. What you'll practice
The plumb line. Drop an imaginary vertical from the pit of the neck. In a weight-bearing stance it lands over the supporting foot, every time. Checking that one line will catch more errors than any amount of careful contour work.
Contrapposto and the tilting pelvis. When one leg takes the weight, that hip rises, the opposite shoulder drops, and the spine answers with a gentle S. Learning to spot which leg is carrying — and to state it in the first thirty seconds — is the single most transferable habit in figure drawing.
Proportion by head units. A standing figure is the only pose where the classical canon is easy to check. Measure, mark, be wrong, adjust. Do it a hundred times and you stop needing to measure.
Photo References reference pack on Refimages. Buy once, unlock forever — personal & commercial license included.