A study of the swing itself: how rotation travels from the feet through the hips, torso and shoulders out to the weapon, and where the arc carries the body once the strike is through. Reference for drawing armed figures that read as moving rather than posed.
Most drawn weapon strikes fail in the same place. The arms swing, the weapon moves, and everything below the ribcage stays politely where it was. Real striking power is generated from the ground up, and a drawing that skips the chain looks like someone waving a prop. This pack is a study of that chain and the arc it produces. What's in this pack
Motion reference for armed figures, organized around the swing rather than the pose. The subject is the sequence a strike actually passes through - load, rotation, contact, follow-through - and the way the body reorganizes at each stage. Where a static pose pack gives you one frozen instant to copy, this gives you the shape of the movement the instant belongs to. What you'll practice
The kinetic chain, first and most importantly. Force starts at the back foot, turns through the hips, arrives late at the shoulders and finishes at the tip of the weapon, and the whole body is out of alignment in a specific, readable way while that is happening. Once you can see the chain, you can draw a strike from any angle without reference, because you know what has to be true.
Then the arc. A weapon travels a curved path, and the arc is a drawable line even when it is invisible - it is what a smear frame, a speed line or a motion trail is approximating. Learning to place that curve first and hang the figure off it fixes more stiff action drawings than any amount of anatomy correction.
Reference Pack reference pack on Refimages. Buy once, unlock forever — personal & commercial license included.